Saturday 24 July Sunday 25 July Monday 26 July Tuesday 27 July Wednesday 28 July Thursday 29 July Friday 30 July Saturday 31 July Sunday 1 August Monday 2 August Tuesday 3 August Wednesday 4 August Thursday 5 August Friday 6 August Saturday 7 August Sunday 8 August Monday 9 August Tuesday 10 August Wednesday 11 August Thursday 12 August Friday 13 August Saturday 14 August Sunday 15 August Monday 16 August Tuesday 17 August Wednesday 18 August Thursday 19 August Friday 20 August Saturday 21 August Sunday 22 August Monday 23 August Tuesday 24 August Wednesday 25 August Thursday 26 August Friday 27 August Saturday 28 August Sunday 29 August Monday 30 August Tuesday 31 August Wednesday 1 September Thursday 2 September Friday 3 September Saturday 4 September Sunday 5 September Monday 6 September Tuesday 7 September Wednesday 8 September Thursday 9 September Friday 10 September Saturday 11 September Sunday 12 September Monday 13 September Tuesday 14 September Wednesday 15 September Thursday 16 September Friday 17 September Saturday 18 September Sunday 19 September Monday 20 September Tuesday 21 September Wednesday 22 September Thursday 23 September Friday 24 September Saturday 25 September Sunday 26 September Monday 27 September Tuesday 28 September Wednesday 29 September Thursday 30 September Friday 1 October Saturday 2 October Sunday 3 October Tracklist 1.
El Zocalo 2. La Llorona 3. My Wife 4. The Akara 5. On A Bayonet 6. The Shrew 1. My Wife, Lost in the Wild 3. Venice 4. The Concubine 5. No Dice. The first part of the album is growing on me, but Realpeople is amazing so far. I got around to finally grabbing a physical copy of this last week. Together, this album-length double release represents the totality of Condon's work over the past year. March of the Zapotec is further testament toward the inventiveness and intimacy he creates as Beirut, a band which started as one person sounding like twelve, and has developed into a particular style and sound.
No matter what inspirations jumpstart any one particular song, underlying it all is the realization that Condon is a singular artist creating an original sound. But March of the Zapotec is just one half of this intriguing and disparate 2xEP. The second is very different, and closer in sound to Condon's pre-Beirut bedroom recordings, when he went under the alias Realpeople.
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